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A GUIDE TO THE MIND'S SECRETS



 

The book will help you find your creative bliss, set up your goal in life, and successfully achieve it.

The book is a guide to the secrets of the mind written in a popular form. It reveals the secrets of the subconscious and the role of emotions in intuitive creativity, memorising, eidetic imaging, mental rehearsal, telepathy, psychic events, dowsing, etc., which are explained in the book scientifically.

The book teaches how to approach emotionally the subconscious and achieve higher level of consciousness, in which the conscious and the subconscious work as one. This is the key to:

The book insists on studying the subconscious for the purposes of:


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The book(s) will be shipped to you the day the money order or check is received. Thanks for your interest.
 

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                                         TABLE OF CONTENTS

                            A GUIDE TO THE MIND'S SECRETS
                 EMOTIONS. CREATIVITY. CREATIVE ROBOTS.

                                      by Prof. Maria Kuman, Ph.D.

PREFACE
INTRODUCTION

Chapter 1: BRAIN AND MIND

1. Introduction
2. Brain Morphology
3. Brain Development
4. Brain and Aging
5. Mind Disorders
 

Chapter 2: CONSCIOUS AND SUBCONSCIOUS MIND

1. Conscious Mind
2. The Black Box of the Subconscious
3. Conclusion
 

Chapter 3: THE MYSTERIES OF THE SUBCONSCIOUS

1. Introduction
2. Dreams for Diagnostic Purposes
3. Dowsing
4. Telepathy and Psychic Events
5. Mental Rehearsal
6. Eidetic Images
7. Hypnosis
    A. Hypnosis to Reveal Psychological Trauma
    B. Hypnosis and Head Trauma Reveal an Enormous Storage Capacity of
         Subconscious
    C. Hypnosis Reveal Accuracy and Higher Rate of Computation at Subconscious Level
    D.  Intuitive Creativity Enhancement
    E. Self-hypnosis for Healing. Quantum Healing
8. Conclusion
 

Chapter 4: EMOTIONS?  WHAT ARE THEY GOOD FOR?

1.  Introduction
2. Creativity and Emotions
3. Sleep and Creativity
4. The Dynamic Switch Light <-> Deep Sleep a Switch Conscious - Subconscious
5. Creativity Enhancement or How to Give Tasks to the Subconscious
6. Generalization
7. Conclusion
 

Chapter 5: EXCITEMENTS GIVING BIRTH TO GENIUS INVENTIONS

1. Introduction
2. Intuitive Creativity
3. Full Intuitive Creativity
4. Partial Intuitive Creativity
5. Conclusion
 

Chapter 6: MEMORY INTEGRATION

1. Introduction
2. Emotional Memories
3. Mechanism of Memory Integration. Role of Emotionality
4. Memory Integration for a Tremendous Boost of Intuitive Creativity and
    Artistic Performance
5. Conclusion (Why the TV does not stimulate creativity)

Chapter 7: ARTIFICIAL INTELLIGENCE WITH CREATIVE ABILITIES?

1. Why Creative Robots?
2. Will Robots be Emotional?
3. Are we Creative Robots? -- an Intelligence Test
4. Conclusion
 

 Chapter 8: SCHOOLS WITH STIMULATION OF CREATIVITY AND
                    SUBCONSCIOUS LEARNING?

1. How to recognize creativity?
2. Why we Need to Stimulate Creativity? Drug Problem
3. Schools with Subconscious Learning and Stimulation of Creativity
4. Conclusion

APPENDIX:  MATHEMATICAL MODELING

 APPENDIX 1:   WHY A NONLINEAR APPROACH TO CREATIVITY?

1. Introduction
2. Creativity Needs a Nonequilibrium or Nonlinear Approach
3. A Nonlinear Mathematical Model
4. Volt-Ampere Frequency Characteristics of  Brain and Mind in Norm and Pathology
5. Creativity Evaluation with a Combination of PET Scanning, EEG and MEG.
    Prediction of Soliton Waves.
6. Impact on Artificial Intelligence
7. Conclusion

APPENDIX 2: WHY A NONLINEAR QUANTUM APPROACH TO
                         CREATIVITY AND SPONTANEOUS REMISSION?
1. Introduction
2. On the Necessity of Quantum Approach to Creativity
3. Full Creativity as a Global Excitement
4. Partial Creativity as a Probability for Transfer of Separate Solutions from the
    Subconscious into the Conscious
5. On the Necessity of Quantum Approach to Stress and Spontaneous Remission
6. Conclusion

APPENDIX 3:   WHY RELATIVISTIC APPROACH TO INTUITIVE CREATIVITY
                            AND SUBCONSCIOUS
1. Introduction
2. On the Necessity of Relativistic Approach
3. Mathematical Modeling of Subconscious. The Subconscious in the Four-Dimensional
    Space Representation of Minkovsky
4. Conclusion

REFERENCES